Secrets of TS Eliot's tragic first marriage and liaisons to be told at last | Books | The Guardian
Excursus: Eliot, Pound and their relation to Walt Whitman. 4. Eliot The literary friendship between Ezra Pound and T.S. Eliot is a great example of a fruitful and . Mar 12, Ezra Pound met T.S. Eliot in London in , some time after he asked The relationship between Pound and Eliot, although it continued. Dec 19, What were Ezra Pound and T.S. Eliot fighting about in the captain's . to have mentioned the editorial relationship between Eliot and Poiund.
Valerie, the poet's former personal secretary, guided his literary estate and did much to financially shore up the independence and future of the poet's publisher, Faber and Faber.
But even though Eliot's widow was keen to systematically publish his wide-ranging letters, she prevented any writer from examining his documents with a free hand. Any biographer now selected by the joint trustees of the Eliot estate would have plenty of drama to draw upon.
"A Heap of Broken Images": The Waste Land
As Eliot himself once commented: It also chronicled the development of Vivienne's madness. In great fear," he wrote. Valerie's close friend and a trustee of the Eliot estate, Clare Reihill, believes she was potentially prepared to give access to an official biographer. The next awards ceremony, in January, is likely to be a poignant farewell to a benevolent force, she added. But I personally would like to see more investigation into the influence of Eliot's close friendship with Ezra Pound.
He has been understandably out of fashion due to his antisemitism, but he was an extraordinary essayist and his notes on Eliot's work are amazing. Early in their marriage she had an affair with Bertrand Russell, which Eliot is said to have ignored. In December he published a second collection, A Quinzaine for This Yule, and after the death of a lecturer at the Regent Street Polytechnic he managed to acquire a position lecturing in the evenings, from January to Februaryon "The Development of Literature in Southern Europe".
He would wear trousers made of green billiard cloth, a pink coat, a blue shirt, a tie hand-painted by a Japanese friend, an immense sombrero, a flaming beard cut to a point, and a single, large blue earring. No one ever presents a cape, or shakes a muleta at him without getting a charge. Through Olivia Shakespear he was introduced to her former lover W.
Yeatsin Pound's view the greatest living poet. Pound had sent Yeats a copy of A Lume Spento the previous year, before he left for Venice, and Yeats had apparently found it charming. The men became close friends, although Yeats was older by 20 years.
Pound was also introduced to sculptor Henri Gaudier-Brzeskapainter Wyndham Lewis and to the cream of London's literary circle, including the poet T. The American heiress Margaret Lanier Cravens — became a patron; after knowing him a short time she offered a large annual sum to allow him to focus on his work.
Ezra Pound - Wikipedia
Cravens killed herself inafter the pianist Walter Rummellong the object of her affection, married someone else. She may also have been discouraged by Pound's engagement to Dorothy. It was favorably reviewed; one review said it was "full of human passion and natural magic". He loved New York but felt the city was threatened by commercialism and vulgarity, and he no longer felt at home there.
Montgomeryvisited the architects' offices almost every day to shout at them. On 22 February he sailed from New York on the R. Mauretaniaarriving in Southampton six days later. When he returned to London in AugustA. Orageeditor of the socialist journal The New Agehired him to write a weekly column, giving him a steady income.
Pound introduced her to his friends, including the poet Richard Aldingtonwhom she would marry in Before that the three of them lived in Church Walk, Kensington—Pound at no.
The museum's visitors' books show that Pound was often found during and in the Print Room examining Japanese ukiyo-esome inscribed with Japanese waka versea genre of poetry whose economy and strict conventions likely contributed to Imagist techniques of composition.
What obfuscated me was not the Italian but the crust of dead English, the sediment present in my own available vocabulary You can't go round this sort of thing. It takes six or eight years to get educated in one's art, and another ten to get rid of that education. Neither can anyone learn English, one can only learn a series of Englishes.
Rossetti made his own language. I hadn't in made a language, I don't mean a language to use, but even a language to think in.
Secrets of TS Eliot's tragic first marriage and liaisons to be told at last
While in the British Museum tearoom one afternoon, they decided to begin a 'movement' in poetry, called Imagism. Imagisme, Pound would write in Riposte, is "concerned solely with language and presentation".
- Ezra Pound
- T.S. Eliot and Ezra Pound: Examining the basis of their literary friendship
- Ezra Pound and T.S. Eliot
They agreed on three principles: Direct treatment of the "thing" whether subjective or objective. To use absolutely no word that does not contribute to the presentation. He wrote that the natural object was always the "adequate symbol". Poets should "go in fear of abstractions", and should not re-tell in mediocre verse what has already been told in good prose.
All that day I tried to find words for what this made me feel.
He may have been inspired by a Suzuki Harunobu print he almost certainly saw in the British Library Richard Aldington mentions the specific prints he matched to verseand probably attempted to write haiku-like verse during this period.
Michael Alexander describes the poems as showing a greater concentration of meaning and economy of rhythm than his earlier work. Alexander writes that in some circles, Pound's translations made him more unpopular than the treason charge, and the reaction to The Seafarer was a rehearsal for the negative response to Homage to Sextus Propertius in Pound was fascinated by the translations of Japanese poetry and Noh plays which he discovered in the papers of Ernest Fenollosaan American professor who had taught in Japan.
Ezra Pound and T.S. Eliot - I, TiresiasI, Tiresias
Fenollosa had studied Chinese poetry under Japanese scholars; in his widow, Mary McNeil Fenollosa, decided to give his unpublished notes to Pound after seeing his work; she was looking for someone who cared about poetry rather than philology.
Alexander thinks this is the most attractive of Pound's work. Pound often followed the translations made by Herbert Giles in his History of Chinese Literature  and used Fenollosa's work as a starting point for what he called the ideogrammic methodwhich proceeded on Fenollosa's entirely mistaken but fruitful idea that each character represented an image or pictograph, based on sight rather than sound.