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Why should you care about what Jim says in Mark Twain's Adventures of Quote 2. "Well, den, dis is de way it look to me, Huck. Ef it wuz HIM dat 'uz bein' sot. Together, they go to the post office, and Silas asks where Sid is. Jim turns to Huck and tells him he was right about being a rich man one day. Aw. Huck likes Tom so much that he wants to stay with him even in Hell. Is he glad to see Jim because he already considers Jim a friend—or is he just glad to.
The "duke" and "king" soon become permanent passengers on Jim and Huck's raft, committing a series of confidence schemes upon unsuspecting locals all along their journey. To divert suspicions from the public away from Jim, they pose him as recaptured slave runaway, but later paint him up entirely blue and call him the "Sick Arab" so that he can move about the raft without bindings.
On one occasion, the swindlers advertise a three-night engagement of a play called "The Royal Nonesuch". The play turns out to be only a couple of minutes' worth of an absurd, bawdy sham. On the afternoon of the first performance, a drunk called Boggs is shot dead by a gentleman named Colonel Sherburn; a lynch mob forms to retaliate against Sherburn; and Sherburn, surrounded at his home, disperses the mob by making a defiant speech describing how true lynching should be done.
By the third night of "The Royal Nonesuch", the townspeople prepare for their revenge on the duke and king for their money-making scam, but the two cleverly skip town together with Huck and Jim just before the performance begins. In the next town, the two swindlers then impersonate brothers of Peter Wilks, a recently deceased man of property.
To match accounts of Wilks's brothers, the king attempts an English accent and the duke pretends to be a deaf-mute while starting to collect Wilks's inheritance. Huck decides that Wilks's three orphaned nieces, who treat Huck with kindness, do not deserve to be cheated thus and so he tries to retrieve for them the stolen inheritance.
In a desperate moment, Huck is forced to hide the money in Wilks's coffin, which is abruptly buried the next morning. The arrival of two new men who seem to be the real brothers throws everything into confusion, so that the townspeople decide to dig up the coffin in order to determine which are the true brothers, but, with everyone else distracted, Huck leaves for the raft, hoping to never see the duke and king again.
Suddenly, though, the two villains return, much to Huck's despair. When Huck is finally able to get away a second time, he finds to his horror that the swindlers have sold Jim away to a family that intends to return him to his proper owner for the reward. Defying his conscience and accepting the negative religious consequences he expects for his actions—"All right, then, I'll go to hell!
The family's nephew, Tom, is expected for a visit at the same time as Huck's arrival, so Huck is mistaken for Tom and welcomed into their home. He plays along, hoping to find Jim's location and free him; in a surprising plot twistit is revealed that the expected nephew is, in fact, Tom Sawyer.
When Huck intercepts the real Tom Sawyer on the road and tells him everything, Tom decides to join Huck's scheme, pretending to be his own younger half-brother, Sidwhile Huck continues pretending to be Tom.
We get Huck Finn all wrong: Race, Mark Twain, children and myths of an American classic
In the meantime, Jim has told the family about the two grifters and the new plan for "The Royal Nonesuch", and so the townspeople capture the duke and king, who are then tarred and feathered and ridden out of town on a rail. Rather than simply sneaking Jim out of the shed where he is being held, Tom develops an elaborate plan to free him, involving secret messages, a hidden tunnel, snakes in a shed, a rope ladder sent in Jim's food, and other elements from adventure books he has read,  including an anonymous note to the Phelps warning them of the whole scheme.
During the actual escape and resulting pursuit, Tom is shot in the leg, while Jim remains by his side, risking recapture rather than completing his escape alone. Although a local doctor admires Jim's decency, he has Jim arrested in his sleep and returned to the Phelps.
After this, events quickly resolve themselves.
Jim is revealed to be a free man: Miss Watson died two months earlier and freed Jim in her will, but Tom who already knew this chose not to reveal this information to Huck so that he could come up with an artful rescue plan for Jim.
Jim tells Huck that Huck's father Pap Finn has been dead for some time he was the dead man they found earlier in the floating houseand so Huck may now return safely to St. Huck declares that he is quite glad to be done writing his story, and despite Sally's plans to adopt and civilize him, he intends to flee west to Indian Territory.
Major themes[ edit ] Adventures of Huckleberry Finn explores themes of race and identity. A complexity exists concerning Jim's character. While some scholars point out that Jim is good-hearted, moral, and he is not unintelligent in contrast to several of the more negatively depicted white charactersothers have criticized the novel as racist, citing the use of the word " nigger " and emphasizing the stereotypically "comic" treatment of Jim's lack of education, superstition and ignorance.
Mark Twain, in his lecture notes, proposes that "a sound heart is a surer guide than an ill-trained conscience" and goes on to describe the novel as " When Huck escapes, he then immediately encounters Jim "illegally" doing the same thing.
The treatments both of them receive are radically different, especially with an encounter with Mrs. Judith Loftus who takes pity on who she presumes to be a runaway apprentice, Huck, yet boasts about her husband sending the hounds after a runaway slave, Jim.
Mark Twain and African-American Voices, "by limiting their field of inquiry to the periphery," white scholars "have missed the ways in which African-American voices shaped Twain's creative imagination at its core.
Kembleat the time a young artist working for Life magazine.
Racism In Mark Twain's Huckleberry Finn | Novelguide
Kemble was hand-picked by Twain, who admired his work. Hearn suggests that Twain and Kemble had a similar skill, writing that: Whatever he may have lacked in technical grace Kemble shared with the greatest illustrators the ability to give even the minor individual in a text his own distinct visual personality; just as Twain so deftly defined a full-rounded character in a few phrases, so too did Kemble depict with a few strokes of his pen that same entire personage.The Office - No Place Like The Office (Episode Highlight)
Twain is pointing out the connection which has been made between Huck and Jim. A connection which does not exist between a man and his property.
Huck Finn (Relationships) by kailee walsh on Prezi
When Huck first meets Jim on the Island he makes a monumental decision, not to turn Jim in. He is confronted by two opposing forces, the force of society and the force of friendship.
Many times throughout the novel Huck comes very close to rationalizing Jim's slavery.
However, he is never able to see a reason why this man who has become one of his only friends, should be a slave. Through this internal struggle, Twain expresses his opinions of the absurdity of slavery and the importance of following one's personal conscience before the laws of society.
By the end of the novel, Huck and the reader have come to understand that Jim is not someone's property and an inferior man, but an equal. Throughout the novel, society's voice is heard through Huck. The racist and hateful contempt which existed at the time is at many times present. But, it is vital for the reader to recognize these ideas as society's and to recognize that Twain throughout the novel disputes these ideas.
But there are also murders, suicidal ideation, child abuse, and a profound satire on standardized education, and the ambivalent ways American parents both protect their children from, and provide them uncritical access to, popular culture. Neither is Huck Finn a model of successful interracial politics, nor a book that we should regard, in our rearview mirrors, as essentially retrograde.
Here, perhaps, it is more comic than we have considered, or than the national conversation can easily hold: The best way to read Huck Finn, in fact, might be to see that Twain found the borders that divide parents and children as false as the borders that divide black and white—and that he even saw the way those borders overlapped.
Huck Finn can show us more about how we keep the discussion of childhood stalled, and the engine of racial difference humming, than any other book in our canon. To benefit from that insight, however, we would have to admit that it is not a book flawed or otherwise about children and adventure, or about racial progress. I explored the debate about children and schools that raged at the time to see if Huck Finn entered into it.
Yet what stayed with me was the milieu, not the thesis: A lot had changed.
I spent several more years writing about all this, then—like Twain with Huck—dropping it, picking it up, dropping it. When I finally committed to the subject, I also committed to my first, raw impulse. On race, meanwhile, almost nothing had been left unsaid: My university students tuned in Huck on a higher frequency: Likewise, my students admired how attuned Twain seemed to the ideas they had acquired in professional education classes: And more often than not, they gravitated toward the position that Twain took in the debates of his day and that his book could represent in ours: Contrarily, my students regarded the conversation about race in Huck Finn with wariness.