17 best Indian novels and travel books 2 States: The Story of My Marriage by Chetan Bhagat: £, employment-agency.info This best-selling. The romantic story of consummation in an arranged marriage. shy indian bride with groom. When the bride is shy. I got married a year ago in an. Originally Answered: Which is the best love story novel written by an Indian writer .. Revolution by Chethan Bhagat; 2 States: The story of my marriage by.
When my husband is in the mood
In India marriage decisions remain within the purview of the family. Maya deeply loves her husband and expects the same from him. The love begins with the marriage for Indians, especially a traditional Indian woman.
The novel opens with the death of the family dog, Toto who was so dear and childlike to Maya. Gautama asks her to make tea for him: She wants to make love to Gautama, but he stands apart.
This happens in the fourth year of their marriage. Driven by an instinctive nature, she expects some emotional and physical satisfaction in married life but she is denied of both.
Maya was very much in love with Gautama and needed his companionship and understanding but it was all in vain. How was I required his closet understanding. How was I to gain it? We did not even agree on which points, on what grounds this closeness of mind was necessary. Even after four years Maya is childless and longs for companionship and sensuous love proves that Gautama who is a practical and rational man fails to recognize the basics and purpose of the marriage.
On the other hand masks himself by preaching the philosophy of Gita, being kind, caring and a modern husband who takes her to caberet dance club, asks her to sit with him and have tea in their corridor. He neither understands her nor pretends nor wishes her to enter his world. He keeps himself aloof from her in terms of emotional and physical relation. But he belonged to the world of detachment, the different worlds they both lived under the same roof. Maya remains dissatisfied not only emotionally but physically too.
The sacred relationship of marriage now became a meaningless burden for her. Ghosal She is shocked by the hypocrisy of the other marriages around her. So he might be concealing it from Maya. Maya is a surprised that after knowing about his disease she marries him and later leads a gloomy life without wearing any bangles or jewellery.
Another incident what Maya recollects is that of Mrs. She begs for her case, as she is blamed by her husband for having lost his command over the affairs which has created hatred and criticism for her. Pom, the pink and plump lady who is very lively without any sickness or tiredness.
She feels miserable and insulted at the questioning and interference of her in-laws in her personal matters. Thus she lacks privacy for herself. She too kills herself unsatisfied. The temperamental and emotional incompatibility of the husband-wife relationship causes the end of their life. Voices in the City: Anita Desai has highlighted the marital discord as a serious concern in her works. Her each novel deals with either of the psychological cause creped in due to the unhappy and disturbed married life.
She gives new aspect and visualization of the farce concepts of the traditions of the marriage in India. Monisha, one of the protagonist of this novel is just the victim of the same marital discontentment as what Maya undergoes. Monisha is in much distress and frustrated because since her childhood she faces the strain and tension in the husband-wife relationship of her parents.
Desai looks into the reasons for marital discord and effectively illustrates its effects on the family. Like Maya, Monisha also longs for the love and satisfaction from her husband. She is also childless like Maya and a victim of ill matched marriage. They live in a joint family and he has no time for her, no desire for her and keeps himself busy in his professional life.
Her life is what she narrates: She is married against her wish and the unsuitable alliance creates disharmony in their marital relationship. Her marriage has diverted her from a sensitive, quiet, sensible girl into an uncompassionate lonely, diary writing women and the pressure of the joint family makes her neurotic such that she hates herself and commits suicide.
I do not like a woman who keeps a diary. Traceless, meaningless, uninvolved does this not amount to non- existence, please? She cannot comprehend her experiences and finally ends her life.
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The situations in the family force her to write a diary which is disliked by her as she desperately wanted privacy: Alone I could work better and I should feel more-whole. Through this novel Anita Desai has tried to voice the quest for existentialism and unhappiness of millions of married woman since ages, her helplessness towards her emotional world, their sensibility as well as psychology.
Anita Desai describes the marriages in India and the various complexities involved with them. The entire story deals with mental and emotional struggle-an inner fury which makes us think about the various problems of the Indian women in society and life.
Sita though married to a successful businessman with four children is subjected to misery and dejection. She is paranoiac with concept of life what Raman, his friends and colleagues have. When Sita comes to know that she pregnant for the fifth time she does not want to give birth nor does she want to abort the child.
Now you say you do want it. Ghosal Feeling frustrated and prisoner as a caged in the four walls of Bombay Sita takes refuge from the mundane realities of her marriage to the Manori Island. She is fed up of the violence and the behavior of people around in Bombay.
When she decides to go to the Manori Island with her daughter Menaka and her son Karan, Raman is irritated at her decision and finally resigns to her abnormality. Since childhood Sita remains a neglected character.
When my husband is in the mood - romantic arranged marriage story
She is the result of broken family. Her father has a strange attraction for her elder sister Rekha and the fisher- woman of the island. She is shocked to know from Jeevan, her brother that Rekha is their step-sister. Even after marriage she remains lonely as her husband is always busy with his work, friends and colleagues. He fails to address to her expectations. As a result the gap of marital discord and disharmony is widening. She feels ignored and unwanted as the children are also growing and are becoming independent.
When Raman comes to the island to take his children, he keeps distance from her. When Sita quotes the happiest moment of her life, initially Raman gets annoyed but later realizes his mistakes and is ready to change. Thus the battle between Sita and Raman is resolved. Sita feels emotionally drained out battling against her husband and family. Men and women who come together in marriage lack knowledge of various psychological and social aspects of life, proper understanding and self-control. By committing herself to her pregnancy and choosing to give birth to her baby, Sita frees herself from the strictures of marriage and defines herself in relation to non-patriarchal values.
Ironically, woman creates ethnic and racial boundaries by giving names and identities but their own identities remain suspect, insignificant and anonymous to men. Nanda Kaul the widow of the former Vice Chancellor, Panjab University has chosen the house on the top of the mountain in Carginano, in the village of Kasauli. Nanda Kaul wishes to live a lonely life as she had lived a life full of sounds, noise, looking after children, family, entertaining guests and discharging responsibilities.
Socially Nanda Kaul has a high standard being the wife of a Vice Chancellor, but sick emotionally. Her life with her husband is like a showpiece for his bungalow and is faced by humiliations at his hands. In reality she is not the queen of his heart but an unloved woman, a mother of his children and an obedient daughter-in-law. She had not only tolerated this man but borne him many children. She became an alien to her children she neither understood nor loved them. To save herself from self betraying she used tranquilizers and engaged herself in discharging the family duties.
Nanda Kaul is disturbed at the news of the arrival of her psychologically ill great grand daughter, Raka who is sent from Impact Factor JCC: Tara at this age also is facing the abuses by her husband. It is one of the strategies of the men in the Indian society for their power assertion, they ventilate in bullying and committing atrocities on their wives. Nanda Kaul finds herself guilty of her murder for allowing to her to leave the house at night.
At last Nanda Kaul hangs herself for it and meantime Raka sets the forest on fire. This novel can be considered as a masterpiece for the hypocrisy of marriage in India. Nanda Kaul who must be close to her eighties hears her daughter suffering from the abuses who must at her sixties and her granddaughter in Geneva suffering from the domestic violence and the marital discord what she had faced in her life.
Thus Anita Desai lodges her protest against unhappy married life in the phoney world which is masked as descent and harmonious institution of married life.
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The wife is no more than a chattel, a slave who suffers the aggravated assaults committed by the husband. All the male characters, as husbands in her novels demonstrate sleaze towards the sacred traditions and the institution of marriage.
The dedicated wives in the novels have to remunerate their life for the sordid acts of their husbands. Anita Desai brings out the truthfulness and the reality of the relationships. The truth is that the traditions have always convinced the male superiority and wants women in this relationship of marriage to live in a vassal situation.
She is neither accepted as a full human being nor an equal partner to man in marriage.
This attitude causes her consistent suffering and miserable life as portrayed by Anita Desai in her novels. But sometimes the order is violently convulsed; the caged bird batters its head against the iron bars and is a bloody mess. A wife revolts runs away, commits suicide, becomes a homicidal maniac or finds tremendous freedom in blissful widowhood. Maya in Cry, the Peacock believes that in every situation marriage is a yoke that destroys the female. She has skillfully portrayed her protagonists highly sensitive, turbulent with passions and emotions and terribly fed-up with the burden of living helplessly with absurd realities of the institution of marriage in the Indian society.
The most noteworthy thing of marriage in India is more related to procreation than anything else and binds a woman in to it. She can neither escape nor run away; because it is considered as a disgrace not only for her family but to the whole society and its traditions. Therefore in spite of sufferings she remains in marriage and never tries to give up her relationship with her husband. In ancient India we had polygamy and the Shastras described the duties of a co-wife but in modern times bigamy www.
Ghosal is a crime. But he could not dare to break the social code and marry her because she was a Christian. On the contrary Nanda Kaul readily and sincerely discharged her duties towards the family as a mother, housewife and hostess, in doing so she lost her individuality and identity. This is what the hypocrisy of marriage being presented by Anita Desai in her characters of Maya, Monisha and Nanda Kaul.
She also challenges the traditional purpose of marriage of progeny as Maya and Monisha are left as childless. It is just a mere farce of the traditions which are not been followed in this male dominating society. She also focuses on the issue of marriage being considered as an obligatory responsibility of the parents in India, which forces the girls to marry a man who is not of her choice but chosen by their parents.
Maya and Monisha are the victims of this obligation. All these husband-wife relationships point out the futility of the institution marriage and through her characters she proves that most marriages are union of incompatibility. Marriage is a union of two souls and two bodies; it needs to be established very consciously and carefully. But generally the society does not offer apt time and notion for this and thus the outcomes of these relations are clashes, desperation, obsession, alienation and loneliness ultimately leading to destruction.
I'm always drawn to writers who explore similar themes. So, here are 10 stories about Indian families. Ram doesn't appear to be affected by the conflicts caused by his decision to have two wives. Saghal shows how male selfishness is trumped by the adaptability and strength of women, regardless of tragic outcomes no spoilers!
I'm always fascinated when the narrator is unnamed. This one's in love with his family's stories and grows up to be a professional story-seeker — a researcher. He sees the world, secondhand, through his family's memories of London, Calcutta, and Dhaka — memories that are more vivid to him than his own experiences. He is in Calcutta during the terrible riots ofbut the violence leaves him with vague impressions he can't describe. The story's tragedy is that without his family's narrative voices he is unable to take part in his own world.
Bad Things Are Going To Happen in this study of what happens when the family is suspended between two mutually suspicious cultures. Vassanji is an expert at capturing the family's confusion and shifting identities during the corruption and power-crazy period of Jomo Kenyatta's post-independence presidency. Mrs Sen, a recent immigrant to the US, takes care of Eliot for his working and often distracted mother. To Eliot's delight, Mrs Sen describes how her family prepares for a celebration: Life Isn't All Ha Ha Hee Hee by Meera Syal I'm a big fan of Syal's work as a comedian, so, I devoured her novel about British-born Indian women with successful working lives who then "morph into obedient wives and self-abnegating mothers the moment they come home".
The story jumps off the page and drags you in so that you feel like you're running around London with Sunita, Chila and Tania. The Journey by Indira Ganesan This novel works for me because it doesn't provide solutions. Ganesan's fictional Prospero's Island in the Bay of Bengal is the setting for the return of an immigrant family to mourn the loss of a beloved cousin.
The family has thoroughly adapted to America but this return awakens their Indian roots. The book triumphs in not judging as the family see-saws between the two cultures. But when Ajay's older brother, Birju, suffers a swimming accident and is pronounced brain dead all the love that the family have isn't enough.